Explores the interconnected relationships among the different management areas (stage management, technical direction, design, artistic staff, production crew) in theory and theatrical practice. Studies production management in the United States and explores new directions and technologies. Emphasizes current aspects of the field and includes staffing, scheduling, touring, budgeting, contract negotiations, facility and safety oversight, project estimation, site-specific work, and festival planning. Through in-class discussions and several field trips to New York City theatres and production companies, students are exposed to current production management and its relationship to artistic goals and business concerns. Readings and lectures emphasize case studies, and students make use of New York City cultural institutions and government agencies as sources of research for assignments and projects.