PHIL 2230 — Music and Religion
4 semester hoursUndergraduateLectureNUpath DDNUpath EXNUpath ICNUpath WItypical days: TBostonTraditional
Explores the relationship between religion, sound, and musical expression using the lenses of gender studies, cultural studies, and performance theory. Emphasizes the interpretive and symbolic understandings of sonic expressions of religiosity, including chanting, mantra use, choir and congregational singing, and speaking in tongues. Seeks to familiarize students with some of the key sonic expressions within the Christian, Islamic, Hindu, and Buddhist traditions; to explore the methods of studying musical and sonic theology; and to analyze these traditions’ own debates about the use of sound and music in religious practice.
Offering history
| Term | Sections | Enrolled | Capacity | Full | Open seats/section |
|---|---|---|---|---|---|
| Spring 2025 | 1 | 23 | 35 | 66% | 12.0 |
Snapshots from scheduled scrapes — not live seat availability. "Full" can exceed 100% when sections over-enroll.
Meeting times
Share of recent sections by weekday: M 0% · T 100% · W 0% · Th 0% · F 0%
Common patterns: T (100% of sections) — in patterns, R means Thursday
Professors
Spring
- Mary Kelting (100% of students) · reviews
Percentages are each professor's average share of the season's enrolled students in recent terms.
Links
Official catalog (PHIL course descriptions) · Student reviews on RateMyHusky · All PHIL courses · Plan it at numap.app
More
{
"retired": true,
"retiredSince": "2026-09-03"
}